This year, two high-profile London exhibitions, the V&A’s Surreal Things and Dali & Film at Tate Modern, have shown that classic Surrealism is still big at the box office ? but also that the old, strange juxtapositions no longer seem so uncanny. In art, our sense of the inexplicable, constantly needs to be refreshed: that’s why a major draw this autumn will be Matthew Barney’s show at the …
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