Danny Hoch is hardly the first solo artist to aim high and fall short. The hip-hop theater pioneer’s “Till the Break of Dawn,” a diffuse survey of radical chic, falls into the same rut that has bedeviled Eric Bogosian (”subUrbia”), Eve Ensler (”Necessary Targets”), and so many other solo-based playwright-actors. As each of Mr. Hoch’s characters lift off into the jagged, profane, elbows-out …
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